By Samuel M. Zwemer

MARSHALL, MORGAN & SCOTT, LTD.

LONDON AND EDINBURGH

1938

(Matthew 27:28, 35)

"This which is here shown us is the essence of Eternal Wisdom, the Secret dwelling at the heart

of life: this is that Word which is through all things everlastingly. Behind the vesture of nature

and of art, behind religion, knowledge, beauty, love in its myriad forms -- we are in the last

resort, to see this Creative Chivalry, enduring to the utmost: wrung with agony, reduced to

weakness in our interest: sparing itself nothing, if thereby our errant souls may have more light.

Unsearchable and Absolute Godhead within whose thought we dwell, stripped of His vestments

and exhibited before the uncomprehending eyes of all His creatures, loving and loveless, evil and

The stripping of CHRIST! This terrible experience of JESUS our Saviour is referred to by all the

four evangelists.

By Mark, who himself fled naked from the mob in the garden,

and by Matthew, who observes that this incident was a direct fulfilment of the Messianic Psalm,

John also refers to this Psalm which gives the most detailed and accurate description of the

This experience must have been one of the most harrowing to the feelings of CHRIST because of

His purity and the dignity of His manhood. "They stripped him," says Matthew. Naked He came

from His mother's womb and naked He hangs on the tree.

The first Adam experienced physical and moral nakedness in Paradise by his transgression. The

second Adam took upon Him the likeness of sinful flesh and therefore the shame of our

nakedness was His also.

The Word was made flesh and men beheld His glory -- and stared on His shame -- yet this, too,

was His glory. The CHRIST of GOD was stripped. This was His utmost humiliation. Stripped

that we might be clothed with white raiment, with His righteousness, and when unclothed by

death not be found naked.

All Roman writers on the method of crucifixion agree that the victim nailed to the cross was

stripped naked. The Jews, we are told, granted a loin cloth to their culprits, and conventional art

has done the same in portraying the dreadful scene. Nevertheless, we must add to the piteous

picture this last and most horrible of all humiliations. The stripping off of the veil of privacy and

modesty which the very saints have feared in their martyrdoms and from which some shrank in

agony -- this CHRIST endured for us. What Christian women suffered in the Armenian

massacres included this bitterness also, more bitter than death. Godiva of Coventry "all clad in

chastisy" still felt each crevice in every wall gazing at her. So JESUS suffered. And we who

have ourselves put these lurid tints in the painting must not pass it by with indifference.

"When JESUS came to Golgotha they hanged Him on a tree,

They drave great nails through hands and feet, and made a Calvary;

They crowned Him with a crown of thorns, red were His wounds and deep,

For those were crude and cruel days, and human flesh was cheap.

When JESUS came to Birmingham they simply passed Him by,

They never hurt a hair of Him, they only let Him die;

For men had grown more tender, and they would not give Him pain,

They only just passed down the street, and left Him in the rain.

Still JESUS cried, "Forgive them, for they know not what they do,"

And still it rained the wintry rain that drenched Him through and through;

The crowds went home and left the streets without a soul to see,

And JESUS crouched against a wall and cried for Calvary."

There are two aspects to the horror of crucifixion, physical pain and mental suffering -- the

agony of the body and the agony of the soul.

The merciless scourging,

the nailing of hands and feet,

the thirst of fever,

the throb of tortured muscles bearing the weight of a broken body and longing for release.

Rejected of His own,

reckoned with sinners,

stripped of His raiment,

cursed of men,

mocked by His companions in suffering,

a great supernatural darkness closing in on the scene.

His bitter cry proved to all, and for all time, that the sufferings of His soul were the soul of His

sufferings.

"Ye that pass by, behold the Man!

The Man of Grief condemned for you,

The Lamb of GOD for sinners slain,

Weeping to Calvary pursue.

His sacred limbs they stretch, they tear

With nails they fasten to the wood;

His sacred limbs exposed and bare,

Or only covered with His blood."

Three thoughts challenge our attention as we meditate on this aspect of CHRIST's death. He was

unveiled to the uttermost on the Cross; the world still strips JESUS CHRIST and then divides

His garments, casting lots; the Christian too must be stripped on his cross as we once stripped

Him. A penetrative thinker once said, "You cannot love JESUS with impunity; you cannot meet

the Cross with impunity; whether you accept it or shirk it the encounter leaves a wound." Surely

this is the result of meditating on this unveiling of JESUS.

The deepest meaning of the Incarnation is seen on Calvary.

(Job 13:15). But JESUS says, Though they crucify me, yet will I show them all -- my hands, my

The King is here not in His glory but in His nakedness. To all alike, the soldiers, the rabble, the

priests, the beloved disciple, the women, and His mother -- GOD made manifest in the flesh, but

not in ineffable glory and honour. Only one who witnessed it could have written the words in the

No wonder that the curtain fell in the midst of the tragedy.

"Well might the sun in darkness hide

And shut His glory in,

When GOD the mighty maker died

For man the creature's sin."

In His helplessness and agony, JESUS endured the Cross not only, but for the joy that was set

before Him He despised the shame.

Above His head Pilate's mocking superscription, KING OF THE JEWS. A King without the

purple, His throne a Cross, and beneath it soldiers parting His garments and casting lots over His

vesture.

How can any one after this be ashamed of JESUS, or crucify Him afresh and put Him to an open

shame?

The scene was also prophetic. For over nineteen centuries CHRIST has been crucified afresh and

put on an open shame:

"This thing; a multitude of worthy folk

Took recreation, watched a certain group

Of soldiery intent upon a game, --

How first they wrangled, but soon fell to play,

Threw dice -- the best diversion in the world.

A word in your ear -- they are not casting lots,

ay, with that gesture quaint and cry uncouth,

For the coat of One murdered an hour ago!"

the robe of GOD's majesty. The heavens are the curtain that hides His glory. The clouds are His

All the marvellous beauty of nature, therefore, in His creation -- His seamless robe of splendour

and majesty. Science and art can only discover and contemplate or imitate the beauty and order

which were in nature from the beginning because CHRIST put them there. Every red sunset is

"the coat of One murdered an hour ago."

There is not a single fine art -- painting, sculpture, music, architecture -- that is not finer because

of the influence of the life and death of JESUS. Yet how often the artist and the musician have

stripped Him of His robes for their own inspiration and then left Him hanging naked and

despised. Darwin's "Origin of Species" tries to explain man's origin and place in nature but

ignores the Son of Man. How about the origin of JESUS? There is a world beyond the visible

and tangible to which science has no key and no access. When we have stripped creation from

the CREATOR by explaining all its laws without Him, are we the richer or the poorer? There

goes the man, they may have said in Jerusalem, who wears the seamless robe of the Nazarene!

But did he know the way to His heart?

Pure science has no place for moral values. "If we adopt sincerely and wholly the popular

conceptions of science," says James T. Adams, "we really destroy all values in human life. The

arts are already beginning to show this deteriorating influence. In fiction, for example, of what

use to write of character if there is no such thing, if personality is a myth, if freedom of action is

a dream, and if all we are is merely a succession of states of mind having as little significance as

a glow of phosphorescence over decaying wood?"

And philosophy, too, has stripped JESUS. The philosophers, wisely or unwisely, discuss the very

questions He came to answer and to which He is the answer, and then leave Him out of their

discussions.

A recent text-book widely used in American colleges is entitled "Problems of Modern

Philosophy," and the book in its 575 pages makes no reference whatever to JESUS CHRIST.

Yet He came to answer the fundamental questions of philosophy:

whence are we,

why are we here,

what is our true nature,

whither is our goal,

what is life,

what is death,

why the mystery of pain,

and what is the hope of humanity?

Spinoza, Hegel, Schopenhauer, Kant, Huxley, Spencer, Bergson and the rest, are they not casting

lots over His seamless robe?

Modern ethics strips JESUS of the Sermon on the Mount, but refuses to climb Calvary.

Those who have never entered Gethsemane and witnessed its agony speak glibly of an Elder

Brother and a universal Fatherhood. They know not its cost.

The new Theology, Modern Hinduism, the new Islam and Modern Judaism all eagerly covet and

claim the ethics of JESUS but they deny His Deity. All that is beautiful and true and noble found

Sociologists preach a social gospel and forget that the social Gospel was born at Bethlehem and

the rights of humanity were sealed with blood on Golgotha.

The Cross, once a symbol of shame and guilt, has become through Him who hung on it the

symbol of compassion and peace and love, of courage and devotion and martyrdom.

How can we speak of social service and leave out CHRIST?

When one visits Red Cross hospitals, asylums, homes for the friendless or welfare centres, where

the Christian spirit is manifest but the CHRIST and His message are not in evidence, the soul

send out our Christmas greetings in ever more lavish forms but one misses a distinctively Advent

message on the cards that tell of His birth. The garments are there but not the CHRIST. Men cast

No wonder that the Fathers of the Greek Church in their liturgy of the Passion, after they have

recounted all the particular pains of our Saviour and by every one of them called for mercy, close

with this petition: By Thine unknown sorrows and sufferings felt by Thee on the Cross but not

distinctly known by us, have mercy on us and save us."

We need that prayer. The Christian, too, is stripped on his cross, as He was on His. The disciple

is not above his MASTER. Men always see us as we are when we mount our cross. Tribulation

worketh experience. Over that awful bridge of death nothing but the naked personality can pass.

Carlyle portrays mankind all one, and startlingly alike, when stripped of clothing and ornament

-- the tags of honour and office and the pride of place that make our distinctions. Now there is

nothing that reveals inner character more than suffering. Fire separates. Crucifixion reveals.

There they hang; JESUS, Gestas and Desmas, each on his own cross and side by side. One dead

in sin, one dead to sin, the third the death of sin. A blasphemer, a believer, a Saviour. One died,

and lost his life, one found his life, One gave His life. On the Cross GOD and men see us as we

are. Death strips us of everything but our inner soul. All self-hiding drapery is gone. When we

(Hebrews 4:13), when we pass over the bridge of death.

beatitudes in the Book of the Revelation.

"There is no place for the verb 'to have' in Heaven; it is annihilated by the verb 'to be'."

We shall no longer possess but be an everlasting possession.

Who are these in white robes? They are clad in righteousness not their own, and at the centre of

The painter, G.T. Watts, asked Frederick Shields to tell him the correct colours for the draperies

of Faith. He replied: "She is the assurance of heavenly things to mortals shut in by sensuous

things, therefore the sky's hue is hers -- her mantle and her wings -- but her robe is white,

unspotted. And this because they who seek righteousness by works fail of that which only Faith

gives." Robed in the King's white we shall understand at last the spiritual and prophetic meaning

~ end of chapter 5 ~

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